Katherine
Trujillo-Johnston
English 370
Dr.Hague
3 September
2012
A Summary and
Analysis of “Browning’s ‘A Toccata of Galuppi’s’: How Venice Once Was Dear”
Summary
In Stefan Hawlin’s essay
“Browning’s ‘A Toccata of Galuppi’s’: How Venice Once Was Dear,” Hawlin
attempts to give readers a better understanding of Browning’s poem, as well as,
open a window into Browning’s inspiration and influences. He begins his essay
explaining that this particular poem by Browning has yet to be critiqued fully due to its’ complexities
and musical references. While the
musical references have been successful in a ‘musical point of view’ they have
been set apart from the themes of the poem. Hawlin then lets us know that
within the last decade better criticism has emerged and then he goes on to show
us how.
Hawlin claims that Browning was
influenced by other major authors that Browning was exposed to throughout his
life. In particular he talks about Keats, Byron, and Dommett and how they each
added to Browning’s representation of Venice. Browning’s poem is compared with
Keats’ Nightingale, “And the music as much as Keats’ nightingale,
is what lets him into a warm and luxuriant fantasy, something far away from the
matter-of-fact world he usually inhibits” (623). This is mirrored in Browning’s
description of Venice in his mind. Hawlin gives credit to Browning’s knowledge
of balls, masquerades, and carnival to Byron whom Browning worshipped. Finally
the essay talks about Domett and his post war view of Venice and how it
influenced the overall theme of decay and death throughout the poem.
Lastly Hawlin explains how music is
working throughout Browning’s “A Toccata of Galuppi’s’.” He further explains
how Browning used the showy characteristic of a Toccata to his advantage. He
describes the purpose for mentioning ‘sixths diminished’ and ‘commiserating
sevenths.’ He explains how the music works to show the ‘arc’ of Venice.
Everything flourished for a period time but eventually died off slowly; in tune
with the ‘commiserating sevenths.’ Lastly Hawlin explains how Browning’s final
description of how beautiful and warm Venetian women are leaves the reader
“with the sad and humble knowledge of how
Venice once was dear”(633).
Analysis
I
feel like this essay really helped me understand Browning’s poem in a whole new
way. I thought it was really great that Hawlin shared Browning’s literary
inspirations. It gave the reader a better sense of Browning’s descriptions and
views about Venice. I also think explaining the musical language and it’s meaning
allows the reader to understand the tone of the poem. Without the explanation
of sixths and sevenths I may have never understood how the music mirrored
Venice. Another thing I found interesting is how Hawlin helps you understand
the overall idea of how Venice once was dear. You understand how the speaker
has traveled in his mind to Venice in its’ golden age and also after when
Venice has a melancholy veil over it.
Questions
1. Does Browning's "A Toccata of Galuppi's" share
any of the same elements from the previous pieces we have read in class?
2. Now that we have learned more about the authors that have
influenced Browning, can you see those influences in "My Last
Duchess" or "Soliloquy of the Spanish Cloister?"
3. In what other ways does Browning visit romantic themes
but make them his own?
Hawlin, Stefan. “Browning’s
‘A Toccata of Galuppi’s’: How Venice Once was Dear.” Robert Browing’s Poetry.
Ed. James F. Loucks and Andrew M. Stauffer. 2nd Edition. New York:
W.W. Norton, 2007. 622-633. Print.
Thanks, Katie. It's useful to have a reminder of the article you presented on for reference.
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